| Nr. |
Dg |
Title |
Domain |
Specialty |
Approval date |
| 1. |
D |
The song from the Nistru River valle | history and Theory of Arts, Cultorology |
17.00.01 |
24.02.2023 |
| 2. |
D |
Creation of the choreographic performance Carmen by means of sports dance | history and Theory of Arts, Cultorology |
17.00.01 |
24.02.2023 |
| 3. |
D |
The creative activity of Serghei Lunchevici in the context of the musical culture of the Republic of Moldova | history and Theory of Arts, Cultorology |
17.00.01 |
25.11.2022 |
| 4. |
D |
Romantic Influences on Violin and Piano Sonatas of the Composers within Romanian Cultural Area (first half of the XXth century) | history and Theory of Arts, Cultorology |
17.00.01 |
30.09.2022 |
| 5. |
D |
Recovery on the philosophy of the ballad Miorița in the conception of the choreographic spectacle | history and Theory of Arts, Cultorology |
17.00.01 |
30.09.2022 |
| 6. |
D |
The phenomenon of documentary theatre: characteristics and specifics. | history and Theory of Arts, Cultorology |
17.00.01 |
01.07.2022 |
| 7. |
D |
Choral miniature in the Republic of Moldova at the confluence of the XX-XXI centuries in the repertoire of the Academic choral chapel Doina | history and Theory of Arts, Cultorology |
17.00.01 |
01.07.2022 |
| 8. |
D |
The bassoon in the creation of composers of the Republic of Moldova | history and Theory of Arts, Cultorology |
17.00.01 |
01.07.2022 |
| 9. |
D |
String Quartets by Boris Dubosarschi: style and performance issues | history and Theory of Arts, Cultorology |
17.00.01 |
01.07.2022 |
| 10. |
D |
Ornamentation in the repertoire of violin fiddlers from the space of historical Moldova: interpretative peculiarities | history and Theory of Arts, Cultorology |
17.00.01 |
01.07.2022 |
| 11. |
D |
The role of the professional activity of the teachers from the Department of the Special Piano of the Chisinau State Conservatory in 1944-1981 in the development of the musical culture of the Republic of Moldova | history and Theory of Arts, Cultorology |
17.00.01 |
01.07.2022 |
| 12. |
D |
Evolution of the performing technique on the bass guitar in jazz music (50s of the 20th century – the beginning of the 21st century) | history and Theory of Arts, Cultorology |
17.00.01 |
28.04.2022 |
| 13. |
D |
Treatment of the cello part in piano trios written comp by Moldovan composers at the turn of the 20th-21st centuries | history and Theory of Arts, Cultorology |
17.00.01 |
01.03.2022 |
| 14. |
D |
Formation of the sonata genre for accordion solo (years 1940–1960) | history and Theory of Arts, Cultorology |
17.00.01 |
26.11.2021 |
| 15. |
D |
Improvisation as the foundation of jazz performance | history and Theory of Arts, Cultorology |
17.00.01 |
26.11.2021 |
| 16. |
D |
Jazz trumpet and its role in big band | history and Theory of Arts, Cultorology |
17.00.01 |
26.11.2021 |
| 17. |
D |
Componistic valorisation of modern Romanian poetry | history and Theory of Arts, Cultorology |
17.00.01 |
30.07.2021 |
| 18. |
D |
Lucrările pentru duet de piane în componistica din Republica Moldova | history and Theory of Arts, Cultorology |
17.00.01 |
30.10.2020 |
| 19. |
D |
The semantic field of the violin intonation issues in the context of the overall problems of the Moments Concerto for violin and symphony orchestra | history and Theory of Arts, Cultorology |
17.00.01 |
28.02.2020 |
| 20. |
D |
Gheorghe Neaga's instrumental chamber music between tradition and innovation | history and Theory of Arts, Cultorology |
17.00.01 |
06.12.2019 |
