| Nr. |
Dg |
Title |
Domain |
Specialty |
Approval date |
| 21. |
D |
Vocal music of Richard Strauss through the interpretative art of Maria Cebotari | history and Theory of Arts, Cultorology |
17.00.01 |
06.12.2019 |
| 22. |
D |
Tratarea timbrului în creația simfonică a lui Pavel Rivilis | history and Theory of Arts, Cultorology |
17.00.01 |
27.09.2019 |
| 23. |
D |
Cantata in creation of composers from the Republic of Moldova: history and typology (1910-1960s) | history and Theory of Arts, Cultorology |
17.00.01 |
27.09.2019 |
| 24. |
D |
Flute in chamber instrumental music by composers from the Republic of Moldova in the second half of the 20th and beginning of the 21st centuries | history and Theory of Arts, Cultorology |
17.00.01 |
25.01.2019 |
| 25. |
D |
Trumpet repertory in the music of 20th century - a space of developing new means of performing expression. | history and Theory of Arts, Cultorology |
17.00.01 |
23.11.2018 |
| 26. |
D |
Transcendental means of expressiveness of the actor in european Theatre of the second half of the 20th century | history and Theory of Arts, Cultorology |
17.00.01 |
11.05.2018 |
| 27. |
D |
The contribution of tenor Mihail Munteanʼs to the development vocal art of Opera in the Republic of Moldova | history and Theory of Arts, Cultorology |
17.00.01 |
11.05.2018 |
| 28. |
D |
Particularities of stage direction in Russian theatres of the Republic of Moldova at the turn of the century. | history and Theory of Arts, Cultorology |
17.00.01 |
31.05.2017 |
| 29. |
D |
Stylistic reference points of the creativity by Vladimir Ciolac in genres of Catholic music | history and Theory of Arts, Cultorology |
17.00.01 |
28.12.2016 |
| 30. |
D |
The choir church creation of the composer Mihail Berezovschi from the perspective of the Orthodox musical traditions | history and Theory of Arts, Cultorology |
17.00.01 |
28.12.2016 |
| 31. |
D |
The Bulgarian national specificity of the choral works by Dobri Hristov | history and Theory of Arts, Cultorology |
17.00.01 |
15.11.2016 |
| 32. |
D |
The Concerto for Piano and symphony orchestra in the creative output of the composers from the Republic of Moldova from the second half of the 20th century to beginning of the 21st century | history and Theory of Arts, Cultorology |
17.00.01 |
06.10.2016 |
| 33. |
D |
Folkloric violin repertoire from the northern region of the Republic of Moldova | history and Theory of Arts, Cultorology |
17.00.01 |
06.10.2016 |
| 34. |
D |
Functional and structural peculiarities of lullabies from the folklore space Republic of Moldova | history and Theory of Arts, Cultorology |
17.00.01 |
05.07.2016 |
| 35. |
D |
The clarinet’ art in the interpretation act of Eugen Verbeţchi | history and Theory of Arts, Cultorology |
17.00.01 |
25.02.2016 |
| 36. |
D |
Creation of composers of the Republic of Moldova in repertoire of children’s choirs | history and Theory of Arts, Cultorology |
17.00.01 |
05.07.2012 |
| 37. |
D |
Concerto for viola and orchestra: methods of study | history and Theory of Arts, Cultorology |
17.00.01 |
05.07.2012 |
| 38. |
D |
Scriitura pianistică în creaţia componistică a lui Vladimir Rotaru | history and Theory of Arts, Cultorology |
17.00.01 |
05.04.2012 |
| 39. |
D |
Memorial Themes in the Creation of the Composers of the Republic of Moldova (Instrumental Music) | history and Theory of Arts, Cultorology |
17.00.01 |
05.07.2010 |
