| Nr. |
Dg |
Title |
Domain |
Specialty |
Approval date |
| 21. |
D |
Gheorghe Neaga's instrumental chamber music between tradition and innovation | history and Theory of Arts, Cultorology |
17.00.01 |
06.12.2019 |
| 22. |
D |
Vocal music of Richard Strauss through the interpretative art of Maria Cebotari | history and Theory of Arts, Cultorology |
17.00.01 |
06.12.2019 |
| 23. |
D |
Tratarea timbrului în creația simfonică a lui Pavel Rivilis | history and Theory of Arts, Cultorology |
17.00.01 |
27.09.2019 |
| 24. |
D |
Cantata in creation of composers from the Republic of Moldova: history and typology (1910-1960s) | history and Theory of Arts, Cultorology |
17.00.01 |
27.09.2019 |
| 25. |
D |
Flute in chamber instrumental music by composers from the Republic of Moldova in the second half of the 20th and beginning of the 21st centuries | history and Theory of Arts, Cultorology |
17.00.01 |
25.01.2019 |
| 26. |
D |
. The activity of directorVeaceslav Axionov in the drama theatres from the Republic of Moldova | history and Theory of Arts, Cultorology |
17.00.01 |
23.11.2018 |
| 27. |
D |
Trumpet repertory in the music of 20th century - a space of developing new means of performing expression. | history and Theory of Arts, Cultorology |
17.00.01 |
23.11.2018 |
| 28. |
D |
Transcendental means of expressiveness of the actor in european Theatre of the second half of the 20th century | history and Theory of Arts, Cultorology |
17.00.01 |
11.05.2018 |
| 29. |
D |
Intercultural dialogue in the frame of International Festival Days of New Music from Republic of Moldova | history and Theory of Arts, Cultorology |
17.00.01 |
11.05.2018 |
| 30. |
D |
The impact of Basarabian performers on the establishment of opera theaters in Bucharest and Cluj in 1920–1940 | history and Theory of Arts, Cultorology |
17.00.01 |
11.05.2018 |
| 31. |
D |
The contribution of tenor Mihail Munteanʼs to the development vocal art of Opera in the Republic of Moldova | history and Theory of Arts, Cultorology |
17.00.01 |
11.05.2018 |
| 32. |
D |
Particularities of stage direction in Russian theatres of the Republic of Moldova at the turn of the century. | history and Theory of Arts, Cultorology |
17.00.01 |
31.05.2017 |
| 33. |
D |
The choir church creation of the composer Mihail Berezovschi from the perspective of the Orthodox musical traditions | history and Theory of Arts, Cultorology |
17.00.01 |
28.12.2016 |
| 34. |
D |
Stylistic reference points of the creativity by Vladimir Ciolac in genres of Catholic music | history and Theory of Arts, Cultorology |
17.00.01 |
28.12.2016 |
| 35. |
D |
The Bulgarian national specificity of the choral works by Dobri Hristov | history and Theory of Arts, Cultorology |
17.00.01 |
15.11.2016 |
| 36. |
D |
The Concerto for Piano and symphony orchestra in the creative output of the composers from the Republic of Moldova from the second half of the 20th century to beginning of the 21st century | history and Theory of Arts, Cultorology |
17.00.01 |
06.10.2016 |
| 37. |
D |
Folkloric violin repertoire from the northern region of the Republic of Moldova | history and Theory of Arts, Cultorology |
17.00.01 |
06.10.2016 |
| 38. |
D |
Functional and structural peculiarities of lullabies from the folklore space Republic of Moldova | history and Theory of Arts, Cultorology |
17.00.01 |
05.07.2016 |
| 39. |
DH |
Composers’ Creation in the Republic of Moldova at the turn of the 20th-21st centuries (instrumental genres, musical theatre) | history and Theory of Arts, Cultorology |
17.00.01 |
21.04.2016 |
| 40. |
D |
The clarinet’ art in the interpretation act of Eugen Verbeţchi | history and Theory of Arts, Cultorology |
17.00.01 |
25.02.2016 |
