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Genurile muzicii corale religioase în creaţia compozitorilor din Republica Moldova (realizare şi interpretare)


Author: Larisa Balaban
Degree:doctor of history and Theory of Arts, Cultorology
Speciality: 17.00.01 - Audio-visual Arts (with specification: Theatrical Art; Musical Art; Cinematography, TV and other form of Audio-Visual Arts)
Year:2006
Scientific adviser: Irina Ciobanu-Suhomlin
doctor, professor, Academy of Music of the Theatre and Fine Arts
Institution:

Status

The thesis was presented on the 27 March, 2006
Approved by NCAA on the 27 April, 2006

Abstract

Adobe PDF document – 0.27 Mb / in romanian
Adobe PDF document – 0.27 Mb / in russian

Thesis

CZU 783.8:781.6(478).071.1

Adobe PDF document 14.76 Mb / in russian
346 pages

Keywords

genres of religious music, contemporary spiritual music, Moldovan composers' works, national religions music, spiritual choral music, spiritual music performance, Stabat Mater, Requiem, Liturgy, Night service, Vespers, Matins, Hymns, Spiritual Oratorio, Spiritual Concert

Summary

In this work the most significant and vivid phenomena of the Moldovan religious music of the end of the XIXth - XXth centuries are analyzed on the basis of choral compositions and also the aspects of their performance are discussed. This research work discloses the sacred music composers' contribution to the development of the Moldovan musical choral art, performing practice and culture. The scientific work dwells upon the influence of the Byzantine, Moldovan, Russian, West-European and other countries' cultures on the formation of the Moldovan church singing and on composers' work of the end of the XIXth - the beginning of the XXIth centuries.

The main goal of the work is to research the musical religious genres the Moldovan choral culture (musical of as well as of divine service); to determine interconnection of the musical works to the traditional genre samples of the cult music; to characterize the compositional peculiarities of musical works from interpretational point of view.

The aspect of defining the place and significance of religious choral music in the general culture of the country, the reconstruction of a wide panorama of religious choral music from the end of the XIXth century till the year 2003 has not been specially studied before. In the work for the first time about 20 religious works by the contemporary Moldovan composers are analyzed among analyzed work there are mostly large - scala genres of choral music - the Hymns of the Liturgy, the Night service, the Vespers, the Matins, the Stabat Mater, the Requiem, the Spiritual Oratorio and Concert as well as choral miniatures which are the works by V.Ciolac, Gh.Ciobanu, D.Kitsenko, S.Buzila, T.Zgureanu, Z.Tkaci, N.Ciolac. The examples of the religious genres of G.Musicescu,M.Berezovschi whose works were at the beginning of the national church music are studied in this work from the new point of view - which is the performing one.