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Artistic environment of Republic Moldova. 1940-1990


Author: Rocaciuc Victoria
Degree:doctor of history and Theory of Arts, Cultorology
Speciality: 17.00.04 - Visual Arts (with specification: Fine Art; Decorative Art; Applied Art)
Year:2008
Scientific adviser: Tudor Stăvilă
doctor habilitat, professor, Technical University of Moldova
Institution:

Status

The thesis was presented on the 5 December, 2007
Approved by NCAA on the 24 January, 2008

Abstract

Adobe PDF document – 0.32 Mb / in romanian

Thesis

CZU 73.03„1940/1990”(478)(043.3)

Adobe PDF document 1.69 Mb / in romanian
199 pages

Keywords

socialist realism, method, concept, conception, style, genre, art current (trend), decorativism, naturalism, stern style, composition, subjects, aesthetic aspect, criterion of finality, painting, sculpture, graphic arts, scene-design, tapestry, ceramics, decorative art, artistic truth, typical, lyrical, epical, dramatical, pathos, national, universal, multinational, international, exhibition, experiment, conventional, liberty of expression, art image

Summary

Artistic environment of Republic Moldova. 1940-1990s Scientific investigation of the evolution of artistic environment of Republic Moldova of 1940-1990-s allows to make the detailed analysis of creative process, of aspects and factors which influenced on it. This is the complicated and contradictory period of time but it contains valuable achievements in artistic sphere. Making the analysis of information according to the reports of fine art exhibitions and different documentary sources, author had the possibility to reflect main tendencies in the development of fine art characteristic for every decade of the period of research. Thus, important aesthetic categories were explored. They served also as criterions for the analysis of moldovan artists’ works during the Soviet period. There are such criterions as fine and ugly; lyrical, epical and dramatical; pathos, typical, artistic truth; national, multinational, international, universal ones etc. The Party spirit was a determined element that involved these categories and served for establishment and confirmation of socialist realism in artistic environment of Moldavian Soviet Socialist Republic. Also the was the criterion of finality specific one for that period of time. Then the category of comerce will appear after the Soviet period in moldovan artistic aesthetics.

Another important aspect influenced on aesthetic development of Soviet period became the themes of some works proposed by Ministry of Culture of USSR. During the analysis of this problem the author differentiated two groups or two methods of structurization some works for that period:

1. Themes of common or unitarian character were approved for all republics of the former Soviet Union.

2. Themes of particular or concrete character were represented in the thematic plans of art exhibitions. Sometimes these subjects directly followed out of the title of the exhibition.

Investigation and systematisation of fact questions about artistic life especially covered problems connected with creative processes such as the exhibition activities, structure, specification and their evolution in the social-cultural context. Owing to structuring of exhibitions by categories, types and forms the author could reflect objective situation of the fine arts during all the period of this research. Thereby, eventually the model of their structuring was proposed. Using this structure author had possibility to observe the dynamics of various exhibitions organised by scientific collaborators of National Fine Art Museum of Moldova in the course of 1950-2000 years stating the direct interconnection among the dynamic development of exhibition, politic and social-cultural processes.