StatusThe thesis was presented on the 8 June, 2007
Approved by NCAA on the 20 December, 2007
Abstract– 0.37 Mb / in romanian
ThesisCZU 821.135.1”19”(478).09(043.2) 821.135.1.09”19”(o43.2)
0.92 Mb /
We think that feminine poetry was less studied from many reasons: one of them believes in some prejudices and supposes that is hasn’t enough ideas.
Other reason is that many literary critics and simple receivers don’t accept a division of literature onto sexes. Even many feminine authors don’t agree that exist a feminine poetry, this literature however has a specific character. I talked this topic, because I want to come true this specific character.
The last decade’s 21’st century of firs new prospects of interpretation. The postmodernists avoid “the prejudices” and open new windows for cognition and self – cognition.
In the first decades of 20’th century the feminine literature enriched, divided and rose “ its building “ ( Tudor Vianu).
The 60′ th generation recognized in this era as “a lyrical explosion”. In this period also appear a chorus of feminine voices (Stefan Augustin Doinas) .
They were differentiated as lyrical vision , tonality and theme.
Under consideration  :