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Transcendental means of expressiveness of the actor in european Theatre of the second half of the 20th century


Author: Catereva Irina
Degree:doctor of history and Theory of Arts, Cultorology
Speciality: 17.00.01 - Audio-visual Arts (with specification: Theatrical Art; Musical Art; Cinematography, TV and other form of Audio-Visual Arts)
Year:2018
Scientific adviser: Angelina Roşca
doctor, professor, Academy of Music of the Theatre and Fine Arts
Institution: Academy of Music of the Theatre and Fine Arts

Status

The thesis was presented on the 12 September, 2017
Approved by NCAA on the 11 May, 2018

Abstract

Adobe PDF document – 0.64 Mb / in romanian
Adobe PDF document – 0.70 Mb / in russian

Thesis

CZU 792.028(4)„19”(043.3)

Adobe PDF document 1.85 Mb / in russian
207 pages

Keywords

Transcendental means of expressiveness of the actor, transcendental expressiveness of the actor, super-individual expressiveness of the actor, the matter of the sound, the physical action of the actor, the rhythm, transcendental

Summary

Structure of the thesis: introduction, 3 chapters, conclusions and recommendations, bibliography from 276 titles, 3 appendixes, 150 pages of basic text.

Research area: Arts Studies and culturology.

Objectives of the thesis: to identify the significance of esthetical-insight value of the phenomenon of “transcendental means of expressiveness of the actor”.

Research objectives - to highlight the conditions for development and improvement of transcendental means of expressiveness of the actor in the European theatre art from the second half of the 20th century; identify the specifics of theatre, caused development of vectorized transcendental means of expressiveness of the actor; to carry out comparative analysis of expressiveness of the actor in the directorial experience J. Grotowski, P. Brook, E.Barba, A. Serban in order to identify transcendental means of expressiveness of the actor; to reveal the internal conditions conducive to the manifestation of the transcendental character of expressiveness of the actor in theatre in Moldova. Scientific novelty and originality: this study is the first theoretical conceptualization of transcendental means of expressiveness of the actor in the science about teatu. It is based on a multidisciplinary approach.

The main scientific problem resolved: elimination of contradictions between of the importance and relevance of the practice of using “transcendental means of expressiveness of the actor” and the lack of scientific analysis of the phenomenon, as well as the conceptual apparatus that accurately reflect their essence. Theoretical value: for the first time in contemporary science of theatre is conceptualized and is defined phenomenon – „transcendental means of expressiveness of the actor”, their essence and appointment. It outlines tendencies transcendental of contemporary theatre it gives the definition of the notions of the „transcendental Theatre” and the „transpersonal act” of actor-person. New terminology is introduced at the level of the development of modern scientific thinking and the perception of the problem, allowing it to be used in further research.

The practical value of the work: materials and the findings of this work can be used in further research in the field of theatre criticism, of history and theory of theatre. The results of the research can be widely used in the practice of modern theatre, in the educational process for the preparation of courses of lectures for future specialists in the field of theatrical art.

Implementation of scientific results: The results of research are presented in 17 scientific publications with a total volume of 8 AC, and 15 Republican and international conferences. According to new research by the author have developed and read lectures for students and the masteranți of the Chair of the „Drama, The science of Theatre and Scenography” of AMTFA.