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Still life in visual art of Republic of Moldova

Author: Ciobanu Iraida
Degree:doctor of history and Theory of Arts, Cultorology
Speciality: 17.00.06 - History and Theory of Arts; History of Culture and Civilization
Scientific adviser: Tudor Stăvilă
doctor habilitat, professor, Technical University of Moldova
Institution: Institute of Cultural Heritage of the Academy of Sciences of Moldova


The thesis was presented on the 22 November, 2018
Approved by NCAA on the 15 March, 2019


Adobe PDF document0.37 Mb / in romanian


CZU 73.02:73.049.6(478)(043.2)

Adobe PDF document 9.64 Mb / in romanian
190 pages


fine art, composit ional center, color scale, co mposit ion, still life, plast ic space


The thesis is consisted of 142 pages of the text and contained: introduction, free chapters, general conclusions, some recommendations. The bibliography includes 235 sources, illustrations and attachments. Derived results were published in eit h scientific journals.

Domain of study: Study of Arts The aim and objectives of the present thesis is todetermine the developing study of the nat ional art and the object ives – througt the research that awoke appearance of Moldavian landscape beginning with the second half of XIX th century up present time in the context of the Moldavian art; investigation of the editorial materials from the State archive, personal archives of the artists as well as the works of art from the public collections and their workshops, the research of the documents related to development of the Moldavian arts from modern and present period; determination of the dynamcs of Moldovan landscape development, specifying inter twining, between general tendencies in Post Soviet space art and universal contemporary art; studying the complex of the stilistic, plastic, structural systems, used in artistic transfiguration of the landscape.

The important scientific problem: the identification role and the importance of static nature in fine arts of Moldova.

Task of investigation: This doctoral thesis offers a synthesis approach and a scient ific analysis of the still life as the genre of painting, on the bibliographic, historical, and museum basis of the given field.

Scientific novelty and originality consists in decision of compound functions directed at genesis, evo lut ion and prospects of st ill life in the context of visual art of Mo ldova. The theoretical significance of given investigation is in the specification of definition of still life in the development of visual art of Republic of Moldova; there is periodization and classification of still life; in visual art historical development of still life was learned by the author for the first time; the description and analysis of bibliographic and museum sources with artistic associations of national still life was done in this thesis.

Practical value. The results of investigation of this thesis can be used for the teaching in educational inst itutions.

Implementation of the results. The results of the study were published in 8 scient ific journals in the Republic of Moldova, and presented in 11 nat ional and international conferences, total volume overcome 4 outhors signs.