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The bassoon in the creation of composers of the Republic of Moldova


Author: Taran Vladimir
Degree:doctor of history and Theory of Arts, Cultorology
Speciality: 17.00.01 - Audio-visual Arts (with specification: Theatrical Art; Musical Art; Cinematography, TV and other form of Audio-Visual Arts)
Year:2022
Scientific adviser: Vladimir Andrieş
doctor, professor, Agrarian State University of Moldova
Institution: Academy of Music of the Theatre and Fine Arts

Status

The thesis was presented on the 18 March, 2022
Approved by NCAA on the 1 July, 2022

Abstract

Adobe PDF document – 0.41 Mb / in romanian
Adobe PDF document – 0.37 Mb / in english

Thesis

CZU 780.8:780.644.2.071.1(478)(043.3)

Adobe PDF document 3.99 Mb / in romanian
95 pages

Keywords

capriccio, concert, bassoon, sonata, sonatina, song, B. Dubosarschi, V. Verhola, V. Rotaru, V. Ciolac, O. Negruța, V. Vilinciuc

Summary

Structure of the thesis. The paper includes 1. Practical component, containing 3 recitals by the author, recorded on 3 DVDs; 2. Theoretical part, containing Introduction, two chapters, general conclusions and recommendations, bibliography out of 102 titles, 80 pages of basic text, with musical examples. The findings were presented in 5 scientific publications.

Study field: the compositional creation in the Republic of Moldova, instrumental interpretation.

The aim of the paper is the musicological and interpretative valorization of the bassoon creations signed by composers from the Republic of Moldova, and the elaboration of some methodical recommendations regarding the interpretation of the targeted works, being a helpful study for both performers and teachers.

The achievement of this goal requires the following objectives: the analysis of the most representative bassoon creations of local composers in terms of style and genre; the highlighting of the role the bassoon plays in the diversification of the pitch in contemporary music and the enrichment of the concert repertoire; the determination of the methods to overcome the technical difficulties of interpretation, and the formulation of some recommendations regarding the execution of the analyzed songs.

The scientific-practical novelty and originality of the project consist in the combination of theoretical research and the process of scenic capitalization of the local repertoire for bassoon. The unique feature of the paper is also given by the fact that, for the first time in the local musicology, this instrument became the subject of extensive research, in which there were studied in detail, in terms of musicology and interpretation, the most representative bassoon creations signed by composers from Chisinau.

Applicative value of the paper. The materials presented in the thesis can be used in the process of elaborating some research on little side topics, as well as in the teaching process in music institutions for disciplines such as History of national music, History of performing arts, Instruments (bassoon), Methodology in teaching speciality subjects, Artistic practice, etc. Moreover, they will be useful to performers, both beginners and professional bassoonists, who aim to perform the creations analyzed in this scientific study.

Implementation of the scientific findings. The thesis was carried out within the Doctoral School of Arts and Culturology at the Academy of Music, Theater and Fine Arts of the Republic of Moldova, and it was discussed and recommended to be obtained by the guidance committee and the Doctoral School board. The findings of the research were presented in 5 articles and 2 abstracts which were published, in communications presented at national and international scientific conferences, as well as in the interpretive activity of the author.