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CNAA / Theses / 2022 / June /

Recovery on the philosophy of the ballad Miorița in the conception of the choreographic spectacle


Author: Bețișor Angela
Degree:doctor of history and Theory of Arts, Cultorology
Speciality: 17.00.01 - Audio-visual Arts (with specification: Theatrical Art; Musical Art; Cinematography, TV and other form of Audio-Visual Arts)
Year:2022
Scientific adviser: Zoia Guţu
doctor, associate professor (docent), Moldova State University
Institution: Academy of Music of the Theatre and Fine Arts

Status

The thesis was presented on the 2 June, 2022
Approved by NCAA on the 30 September, 2022

Abstract

Adobe PDF document0.70 Mb / in romanian
Adobe PDF document0.76 Mb / in english

Thesis

CZU 792.83:398.87:1 (043.2)

Adobe PDF document 0.97 Mb / in romanian
79 pages


Keywords

choreographic spectacle, Miorița ballad, the philosophy of the ballad Miorița; dramaturgy, script, aesthetic ideal, aesthetics, folklore, typology of stage faces, choreographic art.

Summary

Structure of the thesis:The paper includes: introduction, 3 chapters, general conclusions and recommendations, bibliography of 140 titles (in Romanian, English, French, Russian), 67 basic text pages, 1 table and 3 figures. The research results were reflected in 8 publications, of which 5 articles in specialized scientific journals and 3 abstracts/ theses at national and international scientific forums.

Field of study: Choreographic art.

The aim of the thesis is to conceptualize, create and edit the choreographic show Miorița, capitalizing on the aesthetics, philosophy and dramaturgy of the ballad.

The objectives of the thesis: analysis of the social-historical context, reflected in the ballad Miorița; the analysis of the aesthetic, philosophical and dramaturgical approach of the ballad Miorița and their reflection on the conception of the choreographic show; artistic conceptualization of the choreographic show Miorița; establishing the dramaturgy and script of the choreographic show Miorița; creation and staging of the choreographic show Miorița; presentation (filming) of the choreographic show Miorița.

The scientific novelty and the originality of the artistic concept are objectified in substantiating the efforts to capitalize on the aesthetic, philosophical and dramatic aspects of the ballad Miorița in the conception of a choreographic show; artistic conceptualization of the choreographic show Miorița from the perspective of the philosophical paradigm of the ballad Miorița; establishing the dramaturgy and script of the choreographic show Miorița focused on the principles of choreographic art and the principles of interconnection of choreographic art and literary art (based on an epic work); expanding the means of promoting national literary values through choreographic art.

The scientific and artistic problem solved in the research consists in the transfer and expression of the aesthetics, philosophy and dramaturgy of the ballad Miorița with the artistic means in creating the choreographic show.

Theoretical and artistic significance of the research is justified by: the development of the theory and practice of choreographic art by conceptualizing the choreographic show based on the epic work Miorița; substantiation of the general principles of creating the choreographic show, but also of the principles of capitalizing on the aesthetics, philosophy and dramaturgy of the ballad Miorița.

The applicative value of the research consists in the possibility of applying the research results in the initial and continuous training of the choreographers; in staging other choreographic shows and in presenting the show Miorița to the general public. The doctoral thesis can be recommended as a teaching material in the study of Ballet Masterʼs Arts, Dance Composition and Editing, Directing in Choreography, Directing Choreographic Performance and can serve as a support for further research in the field.

Implementation of scientific results. The thesis was written at the Doctoral School of Arts Studies and Culturology of the Academy of Music, Theater and Fine Arts of the Republic of Moldova, being discussed and recommended for support by the Guidance Commission and the Doctoral School Council. Research results were reflected in 8 publications, of which 5 articles in specialized scientific journals and 3 abstracts/ theses at national and international scientific forums.